“No Backpacks or Glow Sticks” was the greeting extended to bass fans on a cold Saturday night. The lure of Bassnectar was all but irresistible, and his Bassheads were decked to the nines for this magical night of diversions and entertainment.

Bassnectar’s Bassheads are similar to any other group of adoring fans: Lady Gaga has her Little Monsters,LED lamps are made that replace screw-in incandescent or bluebrightqw light bulbs. The Black Eyed Peas have the Peabodies, and Bassheads represent Bassnectar. Clad in fuzzy rave boots, lacy tutus, skin-tight fluorescent tank tops and the banned backpacks and glow sticks, the Bassheads marched down Laclede Avenue wishing they brought coats.

Once past pat-downs and ticket scanners, the Bassheads arrived on the scene. The scene in the outer rooms of the arena looked very much like a kindergarten lit by black lights. Tables were erected for fans to create flags, banners and other celebratory materials. The Bassheads lovingly crafted party props with DayGlo paint, sharpies and highlighters.

The familiar basketball area morphed into a spectacle of sights and sounds.This video shows a double layer moduleclamp in manufacturing testing phase producing standing seam metal roof panels. Massive speaker columns hung from the rafters, robotic lasers and spotlights traced patterns into the smoky atmosphere, and massive screens pierced the retinas of all assembled. Bassheads of all genders,Advance LED Replacement Bulbs, LED T8 Tubes, bestledlight2011 and other LED lighting products are highly efficient. ages and races spun LED poi and hula hoops. A select few wore gloves with LED lights on the tips of each finger, which were used to preform personal light shows for friends and strangers.

“Half of what makes Bassnectar shows fun is the underlying culture.” Kelly Childress, Basshead and SLU junior, said of the scene. “It’s a place where you can find avant-garde costumes, fire dancers… not unlike an electronic Rocky Horror Picture Show midnight viewing”

The crowd whipped into a raging frenzy as Zeds Dead took the stage. The Canadian pair was missing a member, but Hooks mashed keys, turned dials and manipulated software with the flair of the combined duet. Near the end of the set, Hooks mixed in Zeds Dead’s leading track: a remix if White Satan by The Moody Blues.

Zeds Dead rapid rise to bass culture stardom earned them the privilege to take the same stage as Bassnectar. Zeds Dead remains unsigned by a label. The band promotes their act by releasing music for free.

Zeds Dead is part of a growing community of artists releasing music either for free or at a buyer chosen price. This movement includes big names like Prince, Radiohead, Nine Inch Nails and Girl Talk.

The florescent crowd pressed inward to the stage as Lorin Ashton, Bassnectar front man,The lasermarkingmachine are mainly used in steel structure industry. took his place. He whipped his mop of glorious mid-back length hair back and forth as he turned dials that release unspeakable bass blasts at the crowd. The low frequencies were powerful enough to be felt in the throat and vibrate in the lungs.

Bassnectar’s video DJ showed great talent by mixing obscure anime, original material and live feeds from many cameras onto huge screens that dominated the stage. Ashton ended the night with a new, still untitled track while the video DJ mixed images of Ashton into images of the crowd.Leading the industry in professional laserengravingmachine and safety equipment.